Five rail-thin longhairs from Reading, England, Chapterhouse was first linked to the space rock likes of Spacemen 3 and Loop -- the connection with the former being inextricable during the band's youngest months, thanks in part to vocal support from Sonic Boom. Early on, the two bands also shared the same management and gigged together. As the years transpired, Chapterhouse would eventually be identified as a shoegaze band, thrown in with the so-called "Scene That Celebrates Itself," as alternately championed and ridiculed by the U.K. press. Until their unfortunate slip into an overambitious, ill-fitting, increasingly dance-reliant sound with unconvincing gospel references, Chapterhouse could switch from bliss to dread in an instant, with steady downpours of guitars and buried vocals that were either phased into haunting drones or ecstatic rushes of melodic noise. The band formed in 1987. Drummer Ashley Bates, bassist Jon Curtis, guitarist Simon Rowe, and vocalists/guitarists Stephen Patman and Andrew Sherriff allegedly called themselves Incest early on but made a smart decision to change the name. Long before they laid down their first demos, they rehearsed and honed their live show. One 1988 gig, performed in their home base of Reading, won a supporter in Sonic Boom. The Spacemen 3 member wanted to release the band's music on his Bop-a-Sonic label, but that never materialized. Instead, the band signed with BMG's Dedicated subsidiary -- home of Cranes, Global Communication, and (ding ding) Spacemen 3 (if only for 1991's Recurring). By the end of 1990, the band replaced the exited Curtis with Russell Barrett and had a pair of four-song singles -- Freefall and Sunburst -- released and reviewed with mostly favorable results. A third single, early 1991's Pearl, gained...