Bunny Lee

One of the most influential and prolific producers in reggae history, Bunny "Striker" Lee pioneered the art of the dub -- expanding the parameters of studio technology like no Jamaican producer before him, he and his engineer, the equally legendary King Tubby, maximized the creative possibilities of each and every rhythm to generate a seemingly endless series of mixes spread across literally thousands of recordings. Edward O'Sullivan Lee was born in Jamaica on August 23, 1941; he entered the music industry in 1962 via his brother-in-law, the great reggae singer Derrick Morgan, landing a job as a record plugger for Duke Reid's famed Treasure Isle label. By the mid-'60s, Lee was working with Ken Lack's Caltone imprint, producing his first record, Lloyd Jackson & the Groovers' "Listen to the Beat," in 1967. His first significant hit, Roy Shirley's "Music Field," followed later that year on WIRL, and upon founding his own label, he reeled off a series of well-received sides including Morgan's "Hold You Jack," Slim Smith's "My Conversation," and Pat Kelly's "Little Boy Blue." As the decade drew to its close, Lee was among the most successful producers in reggae, and by 1971 he was working side by side with engineer King Tubby, who almost singlehandedly invented dub by taking existing master tapes and -- after cutting out vocals, bringing up the basslines, and adding and subtracting other instruments -- creating new rhythm tracks for sound system DJs to voice over. Later adding delays, fades, and phasing to his sonic arsenal, Tubby was already renowned throughout the Jamaican music industry by the time he began collaborating with Lee, but together, the duo produced the finest music of their respective careers -- unlike most of his producer peers, Lee recorded his celebrated...