Billy "The Kid" Emerson

Slashing blues, infectious R&B, formulaic rock & roll, moving gospel -- keyboardist Billy "The Kid" Emerson played all those interrelated styles during a lengthy career that began in Florida and later transported him up to Memphis and Chicago. Emerson had already learned his way around a piano when he entered the Navy in 1943. After the war, he began playing around Tarpon Springs, attending Florida A&M during the late '40s and early '50s. He picked up his nickname while playing a joint in St. Petersburg; the club owner dressed the band up in cowboy duds that begged comparison with a certain murderous outlaw. A 1952-53 stint in the Air Force found Emerson stationed in Greenville, MS. That's where he met young bandleader Ike Turner, who whipped Emerson into shape as an entertainer while he sang with Turner's Kings of Rhythm. Turner also got Emerson through the door at Sun Records in 1954, playing guitar on the Kid's debut waxing "No Teasing Around." Emerson's songwriting skills made him a valuable commodity around Sun -- but more as a source for other performers' material later on. His bluesy 1955 outing "When It Rains It Pours" elicited a cover from Elvis a few years later at RCA, while Emerson's "Red Hot" (a takeoff on an old cheerleader's chant from Emerson's school days) became a savage rockabilly anthem revived by Billy Lee Riley for Sun and Bob Luman on Imperial. After his "Little Fine Healthy Thing" failed to sell, Emerson exited Sun to sign with Chicago's Vee-Jay Records in late 1955. Despite first-rate offerings such as the jumping "Every Woman I Know (Crazy 'Bout Automobiles)" and a sophisticated "Don't Start Me to Lying," national recognition eluded Emerson at Vee-Jay too. It was on to Chess in 1958, recording "Holy Mackerel Baby" and the unusual novelty...