Emotions encountered in everyday life play a big role in the music of Billy Hector. In 2001, at age 45, he remained a hard-working musician, hitting the road 252 nights a year from his home in Walls, NJ, where he lived with his wife Suzan Lastovica, to perform at blues and rock clubs across New Jersey. On his 2001 CD, Duct Tape Life, he confronted his own personal anger at life's misfortunes and found resolve in the musical experiences that have taken him on a journey through changing musical trends over the past 30 years. Hector's song "Stop Doggin' Me Round" concerned his frustration over life's daily hardships. He took things to a political level on "Dealin' With the Devil," a song about his protests over the power of contractors in New Jersey. "Twisted" revisited his early interest in the Rolling Stones. Hector, who grew up in Orange, NJ, got his first taste of the blues from the Rolling Stones, whose blues-inflected rock led him back to bluesmen Muddy Waters and T-Bone Walker. From there, he discovered the more experimental rock edge of guitarists Roy Buchanan and Jimi Hendrix. After playing with several rock bands in high school and studying for two years at William Patterson College in New Jersey in the mid-'70s, he moved to Asbury Park, NJ, to become part of the burgeoning music scene there. Bruce Springsteen and Southside Johnny and the Asbury Jukes had already gained national attention at the Stone Pony club in Asbury Park, and in the wake of their success, Hector began playing guitar with the horn-driven Shots, which had replaced the Jukes as the house band at the Stone Pony. Hector felt too much in the background in the Shots, so he decided to move on. He joined the band Hot Romance, which became the house band at Mrs. Jay's, a biker bar next to the Stone...
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