When most people think of the song "Stagger Lee," as it's usually spelled, they think of Lloyd Price and his 1958 chart-topping single. Eight years before Price's version, however, a single on Imperial Records (spelled "Stack-a-Lee"), credited to and featuring the pounding piano of Archibald, reached the R&B Top Ten and gave the song its first unified national exposure in a single rendition. If Archibald never followed this up, it wasn't for lack of talent or a lot of years in the business of making music. He was born Leon T. Gross in New Orleans, LA, in 1912 and took up the piano as a child, initially entertaining at parties under the name "Archie Boy," which became Archibald. His major influences included Burnell Santiago, Tuts Washington, and Eileen Dufeau, among his barrelhouse piano predecessors. Gross enjoyed a healthy career into his late thirties, despite the interruption of military service during World War II, happily playing at the bars in New Orleans and earning a living and a lot of local respect. In 1950, he was signed to Imperial Records, part of the same wave that brought Dave Bartholomew and Fats Domino onto the company's roster, and Archibald made his first recordings in March 1950. During the summer of that year, he enjoyed his only national hit with the single "Stack-a-Lee," produced by Dave Bartholomew. He never saw the national charts again with any of his sides, recording for Imperial until 1952, and his subsequent attempts at making records were undermined by poor health, union disputes, and record-company difficulties. Ironically, though Archibald's early-'50s sides, such as "Ballin' With Archie," "Shake Baby Shake," and "Crescent City Bounce" -- all of which featured Bartholomew's brash trumpet playing, Joe Harris, and Clarence Hall,...