Adam Larrabee

Some jazz musicians insist on playing jazz exclusively and want nothing at all to do with rock, R&B, hip-hop, country or reggae, but jazz guitarist Adam Larrabee doesn't feel that way--like saxophonist Branford Marsalis and pianist Joe Sample, Larrabee is a jazz improviser who has no problem appearing in non-jazz settings. Larrabee, in fact, backed rocker Bruce Hornsby on his 1998 release Spirit Trail. Nonetheless, the Boston resident is a jazz musician first and foremost, and he is comfortable playing fusion as well as post-bop. Larrabee isn't the sort of guitarist who beats listeners over the head with technique; his playing tends to be very lyrical, reflective, airy and introspective. The New Englander's primary influences include, among others, Pat Metheny, John Scofield and John Abercrombie. Another influence is Jim Hall, who was a major influence on Metheny--like Hall, Larrabee knows how to use space effectively and doesn't inundate listeners with notes for the sake of notes. And Larrabee, who plays banjo and mandolin as secondary instruments, is obviously well aware of the ECM Records catalog, which has had a major impact on his playing, composing and arranging. Although Larrabee now lives in Boston and teaches jazz at the New England Conservatory (NEC), he grew up in Windsor, CT. Both of his parents were English teachers, and both of them encouraged the guitarist's interest in different styles of music. Growing up in New England, Larrabee listened to a wide variety of jazz and non-jazz artists--he loved Metheny, Scofield and Abercrombie, but he was also a huge fan of the Grateful Dead, Steely Dan and Joni Mitchell. Larrabee, who was born in the early ‘70s, went on to study music at Oberlin Conservatory in the early ‘90s. It was at Oberlin that he met his friend...