Gosdin moved to Atlanta in 1972, raising a family and running a retail shop. But he never gave up on music completely. He performed at local clubs and began to gravitate toward Nashville, where Emmylou Harris, a friend of Gosdin's from his California days, was laying the foundation for a neo-traditionalist style of country music. Around 1976 Gosdin and Harris cut a demo single consisting of "Hangin' On" backed with a newly written song, "Yesterday's Gone." The demo got Gosdin signed to the Elektra label, and both songs cracked the country Top 20. In the late '70s he notched several major hits, including "Till the End" (with Janie Fricke), "Mother Country Music," and a remake of the Association's "Never My Love."
In 1980, after the demise of Elektra's country division, Gosdin quickly moved through several contracts and landed with the independent Nashville label Compleat. He made the Top Ten consistently in the early '80s, really hitting his stride when he teamed with Max D. Barnes as a songwriting collaborator. The pair specialized in songs of cheating and barroom romance, often delivering an over-the-top emotionalism that got Gosdin compared to the ultimate legend of honky tonk vocals, George Jones. In 1983, Gosdin had two Top Five hits -- "If You're Gonna Do Me Wrong (Do It Right)" and "Way Down Deep." The following year he had his first number one single with "I Can Tell by the Way You Dance (You're Gonna Love Me Tonight)" and had two additional Top Ten hits. His career hit a lull in the mid-'80s, but in 1987, with the new traditionalist movement in full swing and Warner Bros. artist Randy Travis roosting at the top of the charts, he was tapped by the Columbia label. He bounced back into the Top Ten that year with the tortured "Do You Believe Me Now," and in 1988 he hit number one once again with the perennially popular Ernest Tubb tribute "Set 'Em Up Joe." Gosdin's "Chiseled in Stone," co-written with Barnes, won the Country Music Association's Song of the Year award in 1989. His 1989 album Alone was a rarity: a concept album in a traditional country style. It chronicled the dissolution of Gosdin's marriage. Gosdin's popularity declined as rock-influenced country styles surged forward in the 1990s, but he continued to record on small labels and never abandoned the pure country vocalism he had cultivated for so long. ~ James Manheim, Rovi