After releasing their masterpiece Master of Puppets in 1986, tragedy struck the band when their tour bus crashed while traveling in Sweden. Burton died in the accident. When the band decided to continue, Jason Newsted was chosen to replace Burton; two years later, the band released the conceptually ambitious ...And Justice for All, which hit the Top Ten without any radio play and very little support from MTV. But Metallica completely crossed over into the mainstream with 1991's Metallica, a self-titled effort that found the band trading in its long compositions for more concise song structures. Peppered with hits like "Wherever I May Roam" and "Enter Sandman," it resulted in a number one album that sold over seven million copies in the U.S. alone. To support the record, Metallica launched a long tour that kept the musicians on the road for nearly two years.
By the '90s, Metallica had changed the rules for all heavy metal bands; they were the leaders of the genre, respected not only by headbangers, but by mainstream record buyers and critics. No other heavy metal band has ever been able to pull off such a feat. However, the group lost a portion of its core audience with its long-awaited follow-up to Metallica, 1996's Load. The album moved the band toward alternative rock in terms of image -- the bandmembers cut their hair and had their picture taken by Anton Corbijn. Although the album was a hit upon its summer release, entering the charts at number one and selling three-million copies within two months, certain members of the Metallica fan base complained about the shift in image, as well as the group's decision to headline the sixth Lollapalooza. Re-Load, which combined new material with songs left off the original Load record, appeared in 1997; despite poor reviews, it sold at a typically brisk pace and spun off several successful singles, including "Fuel" and "The Memory Remains." Garage Inc., a double-disc collection of B-sides, rarities, and newly recorded covers, followed in 1998. Metallica's take on Bob Seger's "Turn the Page" helped maintain their presence in the charts, and the band continued its flood of product with 1999's S&M, which documented a live concert with the San Francisco Symphony. It debuted at number two, reconfirming the group's immense popularity.
Metallica spent most of 2000 embroiled in controversy by spearheading a legal assault against Napster, a file-sharing service that allowed users to download music files from each other's computers. Aggressively targeting copyright infringement of their own material, Metallica notoriously had over 300,000 users kicked off the service, creating a widespread debate over the availability of digital music that raged for most of the year. In January 2001, bassist Jason Newsted announced his amicable departure from the band. Shortly after the band appeared at the ESPN Awards in April of the same year, Hetfield, Hammett, and Ulrich entered the recording studio to begin work on their next album, with producer Bob Rock lined up to handle bass duties for the sessions (meanwhile, rumors swirled of former Ozzy Osbourne/Alice in Chains bassist Mike Inez being considered for the vacated position). In July, Metallica surprisingly dropped their lawsuit against Napster, perhaps sensing that their controversial stance did more harm than good to their "band of the people" image. That same summer, the band's recording sessions (and all other band-related matters) were put on hold as Hetfield entered an undisclosed rehab facility for alcoholism and other addictions. He completed treatment and rejoined Metallica as they headed back into the studio in 2002 to record St. Anger, which was released in mid-2003.
The recording of St. Anger was capped with the search for a permanent replacement for Newsted. After a long audition process, former Ozzy Osbourne/Suicidal Tendencies bass player Robert Trujillo was selected and joined Metallica for their 2003-2004 world tour. The growing pains that the band experienced during the recording of St. Anger were captured in the celebrated documentary Some Kind of Monster, which saw theatrical release in 2004. Four years later, the band returned with Death Magnetic, an energized album that returned the band to its early-'80s roots. Former Slayer producer Rick Rubin helmed the album, having replaced the band's longtime producer Bob Rock, while Kirk Hammett (who was forbidden to play guitar solos on St. Anger) peppered the record with metallic riffs and frenetic solos.
Death Magnetic spent three weeks at number one on the Billboard charts and the group supported it with an extensive international tour that included a festival gig with Slayer, Megadeth, and Anthrax. Metallica closed out their Warner contract with Death Magnetic -- outtakes from the sessions appeared as the Beyond Magnetic EP in late 2011 -- and while they were exploring their options, they struck up a collaboration with Lou Reed, releasing the ambitious, arty Lulu in the fall of 2011. In 2012, Metallica launched their own label, Blackened, which would be distributed by Universal; then, the following year, they announced the release of their second motion picture, Through the Never, which combined spectacular concert footage of them blasting through gems from their back catalog with a surreal road-trip odyssey starring Dane DeHaan. The film and its accompanying soundtrack album were released in September 2013. Over the next few years, Metallica played the occasional high-profile concert as they worked on a new studio album. In 2016, the band launched a series of expanded reissues, starting with deluxe editions of Kill 'Em All and Ride the Lightning. These reissues were the preamble to the November release of Hardwired...To Self-Destruct, a double-album that was the band's first new music in eight years. Produced by Greg Fidelman, James Hetfield, and Lars Ulrich, Hardwired...To Self-Destruct debuted at number one throughout the world upon its November 2016 release. ~ Stephen Thomas Erlewine & Greg Prato, Rovi