Prior to his 20th birthday, Phillips relocated to Los Angeles, where he roofed houses with hot tar during the day, attended film school at night, and reserved the weekends for music. By the end of the '80s, Phillips had formed the neo-psychedelic outfit Shiva Burlesque, issuing a pair of critically acclaimed but commercially overlooked releases, 1987's self-titled debut and 1990's Mercury Blues, before splitting up. Phillips then recruited Shiva's drummer Joey Peters and multi-instrumentalist Paul Kimble (the latter of which doubled on bass and keyboards and, later on, production duties) for a new project. Utilizing a backlog of songs unused by Shiva, the new group first went under several different names (including the Machine Elves and Mouth of Rasputin) before settling on Grant Lee Buffalo.
The newly named outfit landed a weekly residence at West Hollywood's Cafe Largo in the early '90s, as they honed their songs and live show, while building up a substantial following in the process. The trio sent a demo tape to the Singles Only label (headed by Hüsker Dü/Sugar frontman Bob Mould), who in turn issued the song "Fuzzy" as a single in 1992. By this time, the buzz surrounding Grant Lee Buffalo had spread to other record labels, as Slash Records signed the trio and issued their full-length debut, also titled Fuzzy, in 1993.
Grant Lee Buffalo supported the release with nearly a year of solid touring -- opening for the likes of Cracker, ex-Replacements frontman Paul Westerberg, and Pearl Jam. Instead of taking some much-needed time off from their grueling schedule, the trio went directly back into the studio to work on their sophomore effort, 1994's Mighty Joe Moon, which spawned their first single/video to attract the attention of MTV and radio (albeit mildly), the gentle ballad "Mockingbirds." Despite landing a prestigious gig opening for R.E.M. (the group's first arena tour in five years) and Phillips being recognized as Male Vocalist of the Year by Rolling Stone magazine, the album failed to break the band commercially. Further fine releases followed, 1996's Copperopolis and 1998's Jubilee, which, again, were critically acclaimed yet commercial underachievers. Fed up, the trio quietly disbanded in 1999.
Phillips immediately launched a solo career, issuing a pair of albums, 2000's Ladies' Love Oracle and 2001's Mobilize, both of which were completely penned and performed by the ex-Grant Lee Buffalo frontman (Phillips has also guested on albums by such other artists as the Eels, Neil Finn, Harvey Danger, Robyn Hitchcock, and Michael Penn, while producing Eenie Meenie's self-titled 1997 EP). In 2001, a 30-track Grant Lee Buffalo overview was issued in England (where the group had enjoyed more substantial success than in their homeland), entitled Storm Hymnal: Gems From the Vault of Grant Lee Buffalo. Rhino released it stateside three years later. ~ Greg Prato, Rovi