Born in Rodez, France in the mid-'50s, Kevorkian grew up in the suburbs of Paris, playing drums in several bands while studying biochemical engineering and pharmacy in college. After deciding to chuck in his studies, he moved to New York and began playing with any pick-up bands he could find. His first important work in the club scene came when Kevorkian took a part-time gig at the club Galaxy 21, providing live fill-in drums for the DJ, Walter Gibbons. Though the club later closed, Kevorkian moved on to another named Experiment Four and became friends with its resident, Jellybean Benitez.
Kevorkian soon began producing his own tracks after he learned that Benitez owned a four-track reel-to-reel machine. Hoping to warp tracks for maximum dancefloor consumption, Kevorkian recorded dub-inspired cut-and-paste megamixes with splice and edit techniques, even adding special effects gained from movies and other sources. (One of his first productions, a version of "Happy Song and Dance" by Rare Earth, was a New York club staple for years afterward.) In mid-1977, he started DJing at a club known as New York, New York -- the premiere disco spot after Studio 54. While working there, Kevorkian met DJ legend Larry Levan and the two became fast friends. After Kevorkian was tapped for an A&R position at the disco label Prelude, he began working at the label's studios with Levan, creating mixes for the West End and Salsoul imprints as well as Prelude. Kevorkian's mix for Musique's 1978 single "Push Push (In the Bush)" went gold -- despite an obvious lack of chart action -- and his productions for another Prelude act, D-Train, resulted in additional club hits like "You're the One for Me," "Music," and "Keep On."
A talent for studio mixing and his requisite dancefloor credentials made François Kevorkian one of the most in-demand producers during the '80s. An increased momentum during the decade for general dance music pushed labels to request special nightclub versions of pop songs for the dance crowd, and Kevorkian obliged hundreds of times, for such groups as Yaz, the Smiths, Depeche Mode, Diana Ross, Adam Ant, U2, Kraftwerk, Matthew Sweet, the Pet Shop Boys, Thomas Dolby, Ashford & Simpson, and Erasure, among many others. In 1987, he founded Axis Studios as well, which provided a home for recordings by Madonna, C+C Music Factory, Mariah Carey, and Deee-Lite.
Given his busy studio schedule, it's no wonder Kevorkian neglected his DJing during most of the '80s. He returned to form in 1990, and traveled to Japan with Larry Levan for several high-profile gigs. Kevorkian became a label owner himself in the '90s; his Wave imprint provided a home for several of his own productions, including 1997's pioneering FK-EP. The best document of his DJing skills, Essential Mix, appeared in 2000. ~ John Bush, Rovi