Initially, critics compared Sponge unfavorably to Stone Temple Pilots, but alternative radio embraced the band's first two singles: the driving rocker "Plowed" and the jangly, introspective "Molly (Sixteen Candles)." A third single, "Rainin'," also earned airplay, and Rotting Pinata went gold; meanwhile, Sponge went on tour as Live's opening act. With new drummer Charlie Grover in tow, their 1996 follow-up album, Wax Ecstatic, was a more diverse affair, rediscovering some of the band's roots in arena rock, British glam, and jangle pop. Even though singles like "Wax Ecstatic (To Sell Angelina)," "I Am Anastasia," and "Have You Seen Mary" enjoyed some degree of radio airplay, Columbia was dissatisfied with the sales figures and dropped Sponge once the album left the charts.
Undaunted, Sponge signed a new deal with the Beyond label, which released the more classicist New Pop Sunday in 1999. It attracted little commercial attention, and more personnel shifts ensued. Tired of touring, the Cross brothers both left and were replaced by guitarist Kurt Marschke and bassist Tim Krukowski; Billy Adams also came on board as the new drummer. After several years of recharging -- during which time Dombrowski played in several Detroit-area side projects -- Sponge returned with For All the Drugs in the World in 2003 and Man in 2005. Dombrowski reworked the lineup once again, this time adding guitarists Kyle Neely and Andy Patalan, before returning again to the studio in 2007 to record Galore Galore for Bellum Records.
Two year later, there was another lineup shift -- Tim Patalan became the group's bassist -- and they released an EP called Destroy the Boy. A full-length called Stop the Bleeding arrived four years later; the LP contained all of the 2009 EP plus new songs. ~ Steve Huey, Rovi