Released in 2001, End of Amnesia helped to further develop Ward's penchant for dusty, timeless narratives and bluesy, back-porch ballads, but it wasn't until 2003's Transfiguration of Vincent that Ward would begin to penetrate the mainstream. His first release for indie darling Merge Records, Vincent cashed in on the Great Depression obsession of the post-O Brother, Where Art Thou? gold rush, paving the way for 2005's Transistor Radio and 2006's Post-War, both of which firmly established Ward as a major player in the burgeoning indie folk/adult alternative rock scene. In 2008, after collaborating on a song for the film The Go-Getter with actress Zooey Deschanel, the unlikely duo released a well-received album of covers and Deschanel originals called Volume One under the moniker She & Him. Ward returned to the studio later that year to begin work on his next full-length offering; 2009's Hold Time, which featured guest vocals from Deschanel, Jason Lytle (Grandaddy), and Lucinda Williams, arrived in early 2009. 2010 and 2011 saw the release of two more She & Him outings (Volume 2 and A Very She & Him Christmas), followed in 2012 by his seventh proper solo outing, A Wasteland Companion, which was recorded in eight different studios and featured contributions from 18n different musicians including Howe Gelb, Bright Eyes' Mike Mogis, Sonic Youth's Steve Shelley, Devotchka's Tom Hagerman, and Deschanel. ~ Nate Cavalieri & James Christopher Monger, Rovi




