CMJ: Andrew W.K. Video Q&A
Andrew Strasser

There's no denying that Andrew W.K. is, as he phrases it, a "crazy, bloody-nosed rocker." But these days, the man best known for his party-fueled 2001 solo debut, "I Get Wet," is finding a new niche in classical music.

Entitled "55 Cadillac," W.K.'s new album is a car-inspired collection of what he calls "spontaneous solo piano improvisations." The set, which includes the track "Central Park Cruiser" premiering right here, will be jointly released on Sept. 8 by his own Skyscraper Music Maker and Thurston Moore's Ecstatic Peace! labels.

"Central Park Cruiser" - Andrew WK

Listen to our exclusive stream of the Andrew WK song "Central Park Cruiser"

In addition to preparing for a North American tour later this month, W.K. is juggling a new show on Cartoon Network. He's also entertaining rumors that he'll play Uncle Jesse in John Stamos' upcoming movie version of the TV show "Full House."

W.K. talked to about his new album, his own haunted '55 Cadillac, and why he thinks partying is like an "ice-cold chocolate milk."

What inspired "55 Cadillac"?

I had wanted to make an album of piano for a long time, just because it's an instrument I've played for most of life, and it's always used in all the other music I've made and my performances. It's the core of my musical experiences. I was never quite sure what kind of piano album I'd make. Would there be singing? Would there be other instruments? All of these questions kind of rolled around in my head until [Sonic Youth's] Thurston Moore asked me to do a piano album. He said if I recorded it, then he'd put it out on his label, Ecstatic Peace! That was motivating enough to give me a goal or even a due date.

How did you ultimately decide on a musical approach?

I read a quote by [saxophonist] Ornette Coleman about the difference between playing a song and just playing music. Coleman was talking about it in terms of jazz, and it really stuck with me. I've always enjoyed playing music for myself, not even necessarily playing a song or anything that I know. There's always something deeply particular about that sort of playing.

Did it ever feel like you were taking a big creative risk?

It seemed very scary to me because in the past, I've put a huge amount of time into the recording process until I got the best take. Many layers of overdubs and vocals and a full range of instrumentation are on top of the piano on my other albums. The most terrifying thing to me was to strip everything away and just leave the piano. Then, to strip away the songs -- strip away the idea of knowing what you're doing. And that was, to me, very exposed. Then just to record the album and put it out without even being able to have the time to think about if it's good or not.

But it's not about it being good or not. It's about those moments being captured they happen. When I listened back, I didn't even remember what I had played, so it was like listening to someone else playing songs for the first time. It was just to see what would happen, to pretty much break every rule that I had adhered to before and do everything that had been too scary to do before.

When you first listened back to the tapes, were you surprised by what you heard?

In some ways, I was. There were some things that I didn't remember doing at all that I liked. But I was also not surprised. What I wanted to get across was something that sounded like me playing, and to me, this album sounds like me playing. I could see someone listening to it and thinking it sounds like classical music or jazz music or new age music. But it's really just the sound of Andrew W.K. playing piano.

You recorded the album at musician Baby Dee's house in Cleveland. Why did you pick that space?

Because she has my piano! My concert grand piano was purchased right around that same time I bought a 1955 Cadillac limousine. Both of these objects were the biggest purchases I had ever made. They ended up sort of staying related. For example, it was always very difficult for me to find a place to park the car, and it became very difficult to find a place to put the piano.

So, rather than just let it sit in storage, what's the best thing you can do with a piano? Give it to a piano player. Baby Dee is as good a piano as I ever imagine hearing in the world, and to have her play the piano, keep the piano, make a home for it during this time when I happen to not be able to keep it, just enriches it that much more. I feel pretty honored for her to have it.